To dye for

It’s been really a busy time preparing for my trip to Australia this March to give workshops. In a meantime I managed to give 2 more workshops in Moscow and had real pleasure seeing the students create wonderful things from the wild fibers.

I also opened a real herbal lab in our apartment with lot’s of natural dyeing taking place. And found a beautiful quotation about natural dyes to continue the theme of the natural over the synthetic colours:

“One of the key reasons why natural colors look better than chemical colors because they are not 'pure' color: a natural red, for example, will include blue and yellow, whereas a chemical red will only contain red pigment. The impurities of natural dyes, which may comprise from five to 25 percent of the dye, consist of other hues that are similar to the main one, and it is these mixtures that make natural dyes so beautiful and create their harmony with neighboring natural colors. Where one person will see some purple in a hank of gray yarn, another may see some blue in it. To be able to see the difference is partly genetic, like the ability to curl one's tongue lengthwise, and partly a matter of experience. On the other hand, evenness of a synthetically dyed carpet is flat and uninteresting. Natural dye, precisely because of its unevenness, makes color vibrate or sparkle. And for some people this "imperfection," a sign of the artist's hand working natural substances from the garden or fields, has spiritual overtones.” (AzerbaijanRugs)

 

Some of my natural colours drying and waiting to be felted in. A real burst of colours, longing for Spring?..

Project: Repurpose

Almost two years ago one of my clients was so excited contacting me, and she had an idea… She wanted me to repurpose her wedding dress that was sitting in the box for years. I think her excitement simply infected me and I said yes to her, let’s try this.

So the dress made its way to me over Atlantic. When I opened the big box, I had ambiguous feelings – fear to take the dress apart, excitement to repurpose it and…worry when I saw it was all synthetic and not silk as my client thought of it.

I don’t usually use anything synthetic in my pieces or projects, I don’t feel connected with the synthetics. And especially having to combine it with the natural materials… The other problem was that most of the fabric of the dress was not suitable for felting at all.

As the excitement and enthusiasm of the first moments faded away, I understood I could do nothing unless I build a connection with this fabric. I needed it to speak to me. There were dozen of times when I took it to my hands and then put it away. I took it apart, carded some fabric into fibers, and removed the embellishments to be felted on something I still didn’t know what. I was lucky to have such a wonderful client who understood my creative process and was ready to wait even for a year or more.

Concentrating my thoughts on my client, opened up my mind. Though the fabric was synthetic, it was a part of my clients image some years ago – I was sure this dress was soaking in most positive feelings, love and adoration during those times when my client was marrying a man she loved. It wasn’t just a piece of polyester to her. This was the point where the fabric could speak to me and I could listen. My work began.

It wasn’t all about felting, just a few pieces, it was more of interpretation in textiles. I applied several techniques and thought a lot about colors. I was sure the colors should be softening the feeling of synthetics and should be something that would look worth of a woman whatever her age would be. As the woman who decided to repurpose her wedding dress wants to cherish the things made of it for years or maybe a lifetime.

 

And…the best reward for this “communication” with the dress was my clients reaction – she loved every single piece. And I hope she is going to cherish it for years.

Furry trends in couture and feltmaking

It seems that furry looks have never been that much in fashion as this Fall. I’ve already talked about this trend last year, mentioning collection of Chanel. But it seems that the furry trend reached its peak just this Fall – when you look at the styles showed in so many fashion magazines, when you look at what many shops have to offer this Fall – there’s so much of furry looks. And when you look at the runway for this Fall, for example Sarah Burton for Alexander McQueen, you see very soft furry collections. Just one idea keeps turning on my mind when looking at it – she could have that much successfully used felt from alpaca rather than fur and would have got very similar looks, just more eco-friendly and cruelty free. And that’s why I feel even more proud for Josephus Thimister, who let this furry trend appear on the runway using the craft of felt making (my felt pieces for Josephus Thimister Fall/Winter 2011-2012 collection could be seen here).

my nuno felt coat with alpaca fleece

 

alpaca fleece in nuno felt

Books

There were couple of books on feltmaking published recently that included images of my felt pieces as well.

One was a very big project I would say - “500 Felt Objects” published by Lark Books.

 

First it strikes you with the versatility of what the felt can be – it is really an enormous collection of various felt pieces in different forms – from tiny crafts to art objects. Endless applications and the most diverse techniques that one ever dreamt of fulfilling or would be so much surprised to discover in this book.

 

  My "Wild Pigeon" in "500 Felt Objects"

 

 

  My "Iris Wattii" in "500 Felt Objects"

 

 

The other thing that strikes you is when you think that all of these works were collected for review in the very beginning of 2010, i.e. almost 2 years ago, and then you think what big path all those feltmakers have already travelled in their creative expressions since that time and how astonishing it must be to see all of their works at this moment.

It’s a beautiful gallery book for people who are interested in felt as a textile medium. The idea of the book was great though there are still some weaker points in its materialization I believe. The idea, design, format, and publishing claim for a solid and solemn publication, though some photos do surprise you in the lack of simplest quality and higher class of presentation of the object. And I am not speaking of the tastes here as they differ so much individually. The other thing that might surprise a person who has a better knowledge of feltmakers’ world already is the criteria the curator chose some photos of a particular author to be published. Some of them don’t really reveal the spirit of the author at all (e.g. the only yellow carpet by Claudy Jongstra and purses of Agostina Zwilling). This makes you doubt if there was enough of time for the publishers to really examine the submitted images and review the authors or maybe a little drop of energy and enthusiasm in bringing the idea to life.

Despite these two little things I felt like mentioning, it is really the book what its title says it to be – 500 Felt Objects. Creative Explorations of a Remarkable Material. A material to be discovered and explored. And get inspired! And a quite true reflection of the felt making world in present times.

 

The second book I was going to mention is written by a Russian author Ксения Шинковская - "Войлок" (“Felt”) – a little encyclopedia of many various techniques used in feltmaking. A very eclectic and informative book that included several images of my felt pieces that you can see on my Facebook page.

Becoming a character

I like to intimate the stories with my felt and the way I take photos with it. And I liked the idea of someone else continuing these stories from my photos when Lyse whom I met on Etsy asked me if she could use some of my photos for her creative works in her Imaginary World – ImagineStudio.

That’s how me with my felts became a character – Girl with the Golden Earing

…Homage to Claudel
 

The Wave

taught by vilte

Well…many of you asked for it. It took me quite a lot of time, but…here it is – taught by vilte

 

Some of my students from various countries have talked a lot how great it would be to see a set of images from various workshops held in different countries and compare what people make. I decided it would be even more interesting to see how people apply my techniques later in their own designs, that’s why I have included some of the images of felt designs by my students using the techniques taught by me. I want to thank everyone who emailed me letters with warmest wishes and words, and the links to their websites, and the photos. It takes me quite a long time to reply to everyone, so please be patient…But know, I appreciate your words and always answer you in my mind. There’s a connection, remember? :)

Enjoy my new tumblr site devoted just for the workshops I give – taught by vilte (I am sorry for not listing every workshop I gave there, but I don’t have any photos from some of them).

What’s in the color?

Just the other day reading the book I found a more “tangible” and scientific explanation of how the colors influence us.

"Clearly, there is more to colour than meets the eye as even blind people can literally ‘feel’ different colours with their fingertips.

Colour is not just part of the object we see in the distance, it's a light wave coming right at us. Colour is simply energy. Energy influencing our feelings, our well being, and demanding a response.” A.Wright

If color is energy, probably there’s much more encoded in this energy from the plants and therefore we have such different experiences when facing a live color from the plant rather than a “dead” synthetic color.

 

Dyed with St. John’s wort.

Color

There is something in the colors from the plants that keep you so attracted to them. It gives you comfort. It stimulates your senses that sometimes you just want to soak in that color. It might be a little scrap piece of silk, but you look at it and can’t stop – it’s like something that is encoded in that color from a plant speaks to your subconsciousness while your consciousness subsides. And you don’t have to understand anything at all, you just have to feel it.

It never happens with artificial colors. Even when you look at the color you adore, it’s different. You love it, but it’s just not the same… It lacks that feeling…

I believe it’s my third Summer when I do a lot of dyeing with plants. I can’t call myself a professional dyer who does a lot of studies and makes detailed records (if I would go that deep into dyeing, I would have to stop felting. One man can not live the lifetimes of many, no matter how you want it…) But just when I did my first samples with plants, I felt THAT. There is something that won’t let you go back too. You even don’t notice, but all artificially dyed materials little by little start to step back of your creative life and you find yourself surrounded just with what you call natural and true.

 

 

It’s my first Summer though when I collect quite a lot of dye stuff from my own land myself or use vegetable waste and medicinal herbs that have expired (I always had lots of these as this is almost the only medicine I take for more than 15 years).

 

 

St. John’s wort, sage, tansy – all growing in our fields, around us. I really love the sources that are available here… And I’ve been using them as medicinal herbs for so many years already. Strange that I didn’t think about colors before. Dyeing opens your eyes to the world. It teaches you to notice things, to cherish the world we are living in, to connect and to feel. It heals you.

 

 

And then the color meets the fiber to make a perfect duo. And makes you want to soak in it, to touch it, wander with your eyes in it, get lost and feel safe at the same time.

 

 

Comfort…

The Net. Connections

Meeting people, getting into mysterious situations of coincidences, especially during my recent travels with my workshop program, always deepened that feeling of the NET, the connections in our lives. There have been so many situations when I meet people who are somehow related to the people I already knew, no matter where on Earth they lived, or me myself, when I meet people I never knew in this life but got a feeling we just parted yesterday and met again, that I really stopped to wonder. I can even say I am really looking forward to every single meeting of “my people” that is yet to come. I don’t ask why I do meet those people, I am not really trying to remember what could have connected us in lives before this one, I just accept and respect every meeting. No matter what it brings – is it me or someone else paying the debts from the past lifetimes, it’s that feeling of connections in humanity, in life, the net around us and in us – it’s like closing your eyes and putting your finger on your wrist to feel the pulse of one LIFE for all that doesn’t start and doesn’t end with birth and death.

This net, the connections have been my theme lately in life, and my focus in my new felt pieces – fragile, yet strong, flowing without a start and the end – every fiber entangled with one another, embracing each other in knots that never get undone, building connections, the net…

Music by  Joe Hisaishi

 

 

 

 

“Meetings are not flowers. They do not fade and die without any traces, stepping into shadows.  … you have to open your mind and heart and to understand people not only as personally closely related, but as the companions to the truth. And then all meetings will be blessed.”   (C.Antarova “Two Lives”)

Photography

Whatever is your art or craft media, you will always turn to photography as the means to reflect your work to the world or even create a continuation of the thought of your work. That’s why I always considered it to be a very important aspect in one’s artistic life.

Not all of us of course have a professional photographer, professional equipment and studio, not to mention a few super models at hand to always present one’s work in the best manner. At least I don’t – just an improvised environment in an apartment, a tripod and remote control in my own hands and the same face all the time of which I really get bored and wished I had a couple of best friends – models nearby from time to time.  Anyway, on the other hand it’s sometimes the easiest option when you do everything by yourself. It’s just the maker who can really express what he meant with his work (or a real soul mate photographer who feels and sees the world the way you do and knows every corner of your soul, thus – your work too… But tell me how often do you meet such?  But… I am still dreaming of the photo shoots with some photographers I feel close to my soul and to have women I adore as my models… It’s nice to imagine).

I always regret when I don’t have enough time to picture all the work I do as I consider it to be a final act of my creation that materializes the image living in my mind. Or I’d better say – a final act that requires my own input as the very final act is the reaction of observers that the piece stimulates…

 

 

wedding dress (wool & silk)

 

   wool, silk & flax, eco dyed with vegetable plant dyes